analog

Dave Sieg has spent the last 20 years preserving the only working Scanimate, a motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

Made with a Scanimate, an analog motion graphics machine that was the staple of film/tv animation in the 70's and 80's.

We meet the filmmakers of Mono No Aware, an experimental film organization in Brooklyn that teaches people how to use analog film and puts on a film festival every year.

Concluding our Perspectives series is conceptual artist Esmeralda Kosmatopoulos, who asks big questions about being human in a time of omnipresent technology.